FRENJA

Isabelle Paoletti · Ceramicist

What’s in
my studio

The wheel, the clay, the kiln, the tools. What I actually use, year after year, and why I have never changed them.

18tools

17 yearsof throwing

60 kgof clay / month

My essentials

If I had to start over, these are the ones I would buy again first.

Tour Shimpo RK-3E

Shimpo · Throwing

Tour Shimpo RK-3E

17 years in my studio

My wheel for seventeen years.

Why this oneIt runs silent, and you can throw up to 25 kilos of clay on it.

PRNI black grogged stoneware 0–0.2 mm

Sio-2 · Clays & materials

PRNI black grogged stoneware 0–0.2 mm

Over 60 kg a month

This is my base material.

Why this oneWith plants it never stains, and it keeps a beautiful colour even at bisque.

Rhode TE 75 MCC+ kiln

Rhode · Firing & kilns

Rhode TE 75 MCC+ kiln

10 years of use

This is what fires everything.

Why this oneIn the studios where I started out, it was the most reliable kiln of all.

Self-adhesive velvet paper

Stickyart · Studio tools

Self-adhesive velvet paper

Even on my wall extruder

So the clay doesn’t stick to a smooth surface.

Why this oneMostly because it’s actually available — that’s not always easy to find.

Sanding sponges

Pukamam · Finishing & sanding

Sanding sponges

Every piece I make goes through them

To take off the irregularities on the clay.

Why this oneEvery grit is there, they wash out easily, and the sponge stays flexible.

Diamond polishing pads

Yunseity · Finishing & sanding

Diamond polishing pads

No more shivers

To soften the parts left raw, without glaze.

Why this oneFour different grits, genuinely good quality, and the price stays reasonable.

All the gear

Filter by use

Tour Shimpo RK-3E

Shimpo · Throwing

Tour Shimpo RK-3E

17 years in my studio

My wheel for seventeen years.

Why this oneIt runs silent, and you can throw up to 25 kilos of clay on it.

PRNI black grogged stoneware 0–0.2 mm

Sio-2 · Clays & materials

PRNI black grogged stoneware 0–0.2 mm

Over 60 kg a month

This is my base material.

Why this oneWith plants it never stains, and it keeps a beautiful colour even at bisque.

Rhode TE 75 MCC+ kiln

Rhode · Firing & kilns

Rhode TE 75 MCC+ kiln

10 years of use

This is what fires everything.

Why this oneIn the studios where I started out, it was the most reliable kiln of all.

Self-adhesive velvet paper

Stickyart · Studio tools

Self-adhesive velvet paper

Even on my wall extruder

So the clay doesn’t stick to a smooth surface.

Why this oneMostly because it’s actually available — that’s not always easy to find.

Sanding sponges

Pukamam · Finishing & sanding

Sanding sponges

Every piece I make goes through them

To take off the irregularities on the clay.

Why this oneEvery grit is there, they wash out easily, and the sponge stays flexible.

Diamond polishing pads

Yunseity · Finishing & sanding

Diamond polishing pads

No more shivers

To soften the parts left raw, without glaze.

Why this oneFour different grits, genuinely good quality, and the price stays reasonable.

EXTR130 hand extruder

Ceram Décor · Studio tools

EXTR130 hand extruder

The best money I ever spent

Coils, vines, glasses holders… a bit of everything.

Why this oneIt’s round and very easy to clean. You make your own dies to pull all sorts of shapes, and there’s an adapter for tubes.

Trimming spinners

Bremorou · Throwing

Trimming spinners

Replaces my milk bottle cap

Little turntables that hold the piece while you trim.

Why this oneCheap, practical, and they come in several sizes.

Double-ended trimming tool

Charmnail · Throwing

Double-ended trimming tool

My loop tools gather dust

Handy for trimming a bowl, and especially for the foot.

Why this oneSince I got it, I barely reach for my loop tools any more.

Squeeze bottles with fine tips

iPlusmile · Glazing & decoration

Squeeze bottles with fine tips

No glaze wasted

For slip texture, and for laying glaze on in small touches.

Why this oneSmall capacity and precise tips — I mix colours without wasting any.

Hole-cutting tools

Vidillo · Modelling & texture

Hole-cutting tools

The offcuts become pushers

For making holes. Lots of holes.

Why this oneEvery size is there, and the clay comes out of the barrel easily.

Carving gouges

Yosoo · Modelling & texture

Carving gouges

I gave my husband’s back

For texture and for cutting into the clay.

Why this oneThe storage case is handy, the price is right, and a sharpening stone comes with it.

Hump moulds

BENECREAT · Modelling & texture

Hump moulds

Spotted too late for my daughter’s wedding

For round shapes — clay underneath, or pressed on top with a bit of foam.

Why this oneGood value for what it is.

Modelling tools with corrugated blades

Yayatty · Modelling & texture

Modelling tools with corrugated blades

Perfect for shortbread

For cuts I couldn’t make any other way.

Why this oneIt was the corrugated blades I was after: they open up a whole new kind of cut.

F2 Master cordless rotary tool

Fanttik · Modelling & texture

F2 Master cordless rotary tool

Lighter than a real Dremel

For carving, cleaning up, engraving.

Why this oneFar lighter and easier to handle than a Dremel, compact, and it stores away neatly.

Self-adhesive match strikers

JINJUMEI · Repurposed tools

Self-adhesive match strikers

Strike the match on the pot

To give a piece one more use: striking a match on it.

Why this oneSeveral shapes, and they actually work.

Greenhouse heater

Bio Green · Greenhouse & growing

Greenhouse heater

One unit, two jobs

To heat and ventilate my greenhouse.

Why this oneEven when the thermostat cuts the heat, the fan keeps running — the two are independent.

Cartridge gun

Hersance · Studio tools

Cartridge gun

out of stock

I use it as a clay extruder.

Why this oneClay extruder dies and their accessories fit its diameter perfectly. And the cartridge is closed!

News from Isabelle

A new tool, a workshop date, a kiln load coming out: I say it here before anywhere else.

Follow me on Instagram

My friends’ Instagram accounts

Accounts I look at every day, and warmly recommend to you.

@romain.orchidsRomain MaireAuthor of “Orchid Addict” and “Jurassic Plants”, published by Ulmer.@corentinpfeifferCorentin PfeifferLandscape designer and plant stage-setter, winner of Chaumont 2026.@parenthese.tropicaleFrédéric VillanouCollector’s orchids, photographed in his greenhouse.